REVIEW: Ihsahn - "Eremita"
A decade has passed since symphonic black metal giants Emperor called it quits. But this has not stopped the band’s mastermind Vergard Sverre Tveitan (better known as Ihsahn) from making music. With already 3 albums credited to his solo career, Ihsahn is back again with another album “Eremita”. Now most of his followers know that Ihsahn loves experimenting with his music when it comes to his solo work, so very few people will be in for a shock when I tell you that this album isn’t just “a black metal” album; as a matter of fact it is an alloy of black metal, progressive metal, jazz music and classical music! And what’s more amazing is the star-studded line-up featured on the album.
We have Jorgen Munkeby (of Norwegian black metal band Shining) playing the saxophone on almost half the album including tracks like “The Eagle And The Snake”, “The Grave” and “Catharsis”. Tobias Andersen (from Norwegian progressive/avant-garde metal outfit Leprous) displays his mettle on the drums and of course the man himself; Ihsahn, handling the guitar, bass, vocals and song writing. A few guest appearances too are present. Devin Townsend has repaid Ihsahn (for his guest vocals on “Juular” from Devin’s latest album “Deconstruction”) and settled the score by singing on “Introspection”. Ex-Nevermore member and guitar prodigy Jeff Loomis too has done a few solos on the album in return for Ihsahn helping Jeff on his latest solo album “Plains of Oblivion”. Ihsahn’s wife, Heidi Tveitan, too has lent her voice on “Departure”. Not only this but another member of Leprous has been brought in to help out Ihsahn; Einar Solberg has contributed his voice for “Arrival”! Most of the guest appearances are not quite visible, although this surely has turned out to be a great marketing gimmick.
The solos too are praiseworthy; the credit for some solos going to Jeff Loomis. I personally did not like the addition of the saxophone to the album overall but I’m sure that it will appeal to many people. “Catharsis” is yet another great melodic song. The bass guitar is very prominent on the entire album. Tobias adds to the assault, displaying different styles and patterns of drumming.
This album is not one which will attract the usual mob of metalheads because of the depth of the music which can only be understood by a few. This is not an album that the listener will like after just one hear. You have to hear the album at least 3 times before the tracks can get a grasp of you. By releasing “Eremita”; some fresh and innovative material, Ihsahn has taken great risk and broken the boundaries of orthodox metal and taken the genre to a whole new level.